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<channel>
	<title>Philipp von Hase</title>
	<link>https://philippvonhase.com</link>
	<description>Philipp von Hase</description>
	<pubDate>Thu, 27 Aug 2026 10:21:28 +0000</pubDate>
	<generator>https://philippvonhase.com</generator>
	<language>en</language>
	
		
	<item>
		<title>studio</title>
				
		<link>https://philippvonhase.com/studio</link>

		<pubDate>Sat, 11 Apr 2020 15:32:16 +0000</pubDate>

		<dc:creator>Philipp von Hase</dc:creator>

		<guid isPermaLink="true">https://philippvonhase.com/studio</guid>

		<description>


&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3c7a93a312aa6bb2b4fc79d0820d4b8defe90bf0db430f32099ac77f4192a319/dsr-3.jpg" data-mid="67021557" border="0"  src="https://freight.cargo.site/w/1000/i/3c7a93a312aa6bb2b4fc79d0820d4b8defe90bf0db430f32099ac77f4192a319/dsr-3.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e46a2e5f076a5ab7c38f9971e0fbcf780c77d3614fc8b59af2210bab7179d5ee/dsr-2.jpg" data-mid="67021556" border="0"  src="https://freight.cargo.site/w/1000/i/e46a2e5f076a5ab7c38f9971e0fbcf780c77d3614fc8b59af2210bab7179d5ee/dsr-2.jpg" /&#62;



	welcome to my old work, store and office space on the seventh floor in one of the historic industrial buildings in the old city harbour of bergen on the westcoast of norway


	
&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a97cbd8544904b5e227112275295e528b973bd508ad93d02e9cf49bd28976e7f/98.jpg" data-mid="66560772" border="0"  src="https://freight.cargo.site/w/1000/i/a97cbd8544904b5e227112275295e528b973bd508ad93d02e9cf49bd28976e7f/98.jpg" /&#62;
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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/476f9998d53043e4a645fd252dfaf9e05cd87bf72bbe64632ec9f64f3ff59341/dsr-31.jpg" data-mid="67021529" border="0"  src="https://freight.cargo.site/w/1000/i/476f9998d53043e4a645fd252dfaf9e05cd87bf72bbe64632ec9f64f3ff59341/dsr-31.jpg" /&#62;
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	from here i design and refine my furniture creations and invite friends and clients to&#38;nbsp; new ideas and good times






	
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/fcba885d23235bf4ae0916eef285766d82d93b365f7c103af80d87a3340b8382/dsr-47.jpg" data-mid="67021508" border="0"  src="https://freight.cargo.site/w/1000/i/fcba885d23235bf4ae0916eef285766d82d93b365f7c103af80d87a3340b8382/dsr-47.jpg" /&#62;
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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/dbf40c5aeaaca7824a9c692a33f42aa96586192773bcdab8e25b5805caa8dfc6/dsr-55.jpg" data-mid="67021501" border="0"  src="https://freight.cargo.site/w/1000/i/dbf40c5aeaaca7824a9c692a33f42aa96586192773bcdab8e25b5805caa8dfc6/dsr-55.jpg" /&#62;




	please feel free to knock on my door next time you are in town or in the neighbourhood 

	
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/09f43c3151786bb742804246d9ad2dd59885f8c6c514b90ad99cdf286ac617d9/dsr-43.jpg" data-mid="67021511" border="0"  src="https://freight.cargo.site/w/1000/i/09f43c3151786bb742804246d9ad2dd59885f8c6c514b90ad99cdf286ac617d9/dsr-43.jpg" /&#62;
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&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/b58a3f56a9e73c7424a0f336276975858423aea0992ae711e49019225ff7fb90/dsr-45.jpg" data-mid="67021515" border="0"  src="https://freight.cargo.site/w/1000/i/b58a3f56a9e73c7424a0f336276975858423aea0992ae711e49019225ff7fb90/dsr-45.jpg" /&#62;
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/f4fe3e98307195852dca0b3e5b152a983f531bec330dcb4e346d084b50f7cef4/dsr-46.jpg" data-mid="67021513" border="0"  src="https://freight.cargo.site/w/1000/i/f4fe3e98307195852dca0b3e5b152a983f531bec330dcb4e346d084b50f7cef4/dsr-46.jpg" /&#62;

 &#38;nbsp;

	
	photography by dag randen
</description>
		
	</item>
		
		
	<item>
		<title>casa di papo</title>
				
		<link>https://philippvonhase.com/casa-di-papo</link>

		<pubDate>Thu, 27 Aug 2026 10:21:28 +0000</pubDate>

		<dc:creator>Philipp von Hase</dc:creator>

		<guid isPermaLink="true">https://philippvonhase.com/casa-di-papo</guid>

		<description>
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c48dc96c1c21c0aa17baabf65ff756de4e16873e16e0e7ea549cbc641b27f26c/IMG_8254.jpeg" data-mid="251611760" border="0"  src="https://freight.cargo.site/w/1000/i/c48dc96c1c21c0aa17baabf65ff756de4e16873e16e0e7ea549cbc641b27f26c/IMG_8254.jpeg" /&#62;

	welcome to the marches in italy


	
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/c0279efab4a41248a6ccd6f8271be326a1ba87a5de553cdf3cf5fb4df9387b8c/IMG_0874.jpeg" data-mid="251617967" border="0"  src="https://freight.cargo.site/w/1000/i/c0279efab4a41248a6ccd6f8271be326a1ba87a5de553cdf3cf5fb4df9387b8c/IMG_0874.jpeg" /&#62;

and welcome to monterolo near pergola
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/c89d0d64253dbaf75c3917ea24862dba776c50919c7dc3e62c18c81529638ec2/IMG_1117.jpeg" data-mid="251618108" border="0"  src="https://freight.cargo.site/w/1000/i/c89d0d64253dbaf75c3917ea24862dba776c50919c7dc3e62c18c81529638ec2/IMG_1117.jpeg" /&#62;
finaly welcome to casa di papo 
&#60;img width="2857" height="3875" width_o="2857" height_o="3875" data-src="https://freight.cargo.site/t/original/i/a98c9ab1fc4af61c4bd7fe7c4f0c21ba949e367943dc3292f092e7d65382d8cd/IMG_1066.jpeg" data-mid="251617887" border="0"  src="https://freight.cargo.site/w/1000/i/a98c9ab1fc4af61c4bd7fe7c4f0c21ba949e367943dc3292f092e7d65382d8cd/IMG_1066.jpeg" /&#62;

a small house in the woods and hills


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/847b1532615a081bb932244605e2d43bb92074937c6c6640740f2213fa2920aa/IMG_1091.jpeg" data-mid="251617886" border="0"  src="https://freight.cargo.site/w/1000/i/847b1532615a081bb932244605e2d43bb92074937c6c6640740f2213fa2920aa/IMG_1091.jpeg" /&#62;with a wonderful outdoor area under the roof and under the oak trees 
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/c3ef7517be064ddcc07091264d59430e1c8198a721e75856d4c592fe5e442300/IMG_1598.jpeg" data-mid="251612271" border="0"  src="https://freight.cargo.site/w/1000/i/c3ef7517be064ddcc07091264d59430e1c8198a721e75856d4c592fe5e442300/IMG_1598.jpeg" /&#62;
as well as a luminous living room and kitchen indoors&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/ebbc48bdeb191738ee96380123ef2ba5df9cc66da594e76802400903b8506abf/IMG_1573.jpeg" data-mid="251612265" border="0"  src="https://freight.cargo.site/w/1000/i/ebbc48bdeb191738ee96380123ef2ba5df9cc66da594e76802400903b8506abf/IMG_1573.jpeg" /&#62;

 including a long wooden dining table and a day bed  
	
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/466313b82cbdaf4dc172f78043b705c2e091d5f127389933463693a9139c2991/IMG_1502.jpeg" data-mid="251618096" border="0"  src="https://freight.cargo.site/w/1000/i/466313b82cbdaf4dc172f78043b705c2e091d5f127389933463693a9139c2991/IMG_1502.jpeg" /&#62;


a bedroom with a double bed that features two smaller guest beds on wheels underneath 
&#60;img width="2924" height="3899" width_o="2924" height_o="3899" data-src="https://freight.cargo.site/t/original/i/330d35e8a88781ec2ad6df3593e82a008f044a9c69ef2f8156806a51c7cb2944/IMG_7254.jpeg" data-mid="251617910" border="0"  src="https://freight.cargo.site/w/1000/i/330d35e8a88781ec2ad6df3593e82a008f044a9c69ef2f8156806a51c7cb2944/IMG_7254.jpeg" /&#62;
a foldable writing desk or shelv for studies or storage
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/b5803d82dea9fe55933affb67ecccb0e7af8abf8ec61682a1aa7b54e91903d8f/IMG_1587.jpeg" data-mid="251612267" border="0"  src="https://freight.cargo.site/w/1000/i/b5803d82dea9fe55933affb67ecccb0e7af8abf8ec61682a1aa7b54e91903d8f/IMG_1587.jpeg" /&#62;a kitchen unit with gas and electric stoves 


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5d3b5445eaf62f96ad185741b4292a9416c1f235919a0507d3692716504ced5b/IMG_1593.jpeg" data-mid="251618085" border="0"  src="https://freight.cargo.site/w/1000/i/5d3b5445eaf62f96ad185741b4292a9416c1f235919a0507d3692716504ced5b/IMG_1593.jpeg" /&#62;

even an open fire place for the wintertime &#38;nbsp;

&#60;img width="2741" height="3655" width_o="2741" height_o="3655" data-src="https://freight.cargo.site/t/original/i/ca3806e47e0753f5bf3dbcc3208e21d18c12bc612d5f99a63352bdbf71b42751/IMG_1178.jpeg" data-mid="251612229" border="0"  src="https://freight.cargo.site/w/1000/i/ca3806e47e0753f5bf3dbcc3208e21d18c12bc612d5f99a63352bdbf71b42751/IMG_1178.jpeg" /&#62;between the bedroom and living room there is a small bath room with an open shower 

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/9ed3e18af92f0465dff92dccb41ef4598b4ea226667407f967cd7215201d6e15/IMG_4550.jpeg" data-mid="251617931" border="0"  src="https://freight.cargo.site/w/1000/i/9ed3e18af92f0465dff92dccb41ef4598b4ea226667407f967cd7215201d6e15/IMG_4550.jpeg" /&#62;

outside on the wooden terrace there is an integrated bathtub for cold baths in the summer&#38;nbsp;

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/1864e944f7340a70accdd854713b704005ac7b43ed7250ee69220f29593d4b7a/IMG_4540.jpeg" data-mid="251617934" border="0"  src="https://freight.cargo.site/w/1000/i/1864e944f7340a70accdd854713b704005ac7b43ed7250ee69220f29593d4b7a/IMG_4540.jpeg" /&#62;

for the laundry there is a space out the back as well
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/512c6d17bd972b84692c5a3364102a73d9db29cecb9dcb4ea08b4747ec974960/IMG_7288.jpeg" data-mid="251617909" border="0"  src="https://freight.cargo.site/w/1000/i/512c6d17bd972b84692c5a3364102a73d9db29cecb9dcb4ea08b4747ec974960/IMG_7288.jpeg" /&#62;

outside the bedroom in the west there is another terrace for the evening sun 

&#60;img width="2916" height="3890" width_o="2916" height_o="3890" data-src="https://freight.cargo.site/t/original/i/7be42e94661ae9f29b86ed69ef7fb2d1d622531f3e2e454e4fefca301c636970/CBD7716D-36D5-453C-B5E7-223AF7CACB9A_1_201_a.jpeg" data-mid="251620957" border="0"  src="https://freight.cargo.site/w/1000/i/7be42e94661ae9f29b86ed69ef7fb2d1d622531f3e2e454e4fefca301c636970/CBD7716D-36D5-453C-B5E7-223AF7CACB9A_1_201_a.jpeg" /&#62;
the house is surrounded by wonderful colours, lights and shadows throughout the day&#38;nbsp;

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5d409fd7ef440a715a530d1edf78c20bf55f454e73845467b7073deda9b641cd/IMG_1090.jpeg" data-mid="251618110" border="0"  src="https://freight.cargo.site/w/1000/i/5d409fd7ef440a715a530d1edf78c20bf55f454e73845467b7073deda9b641cd/IMG_1090.jpeg" /&#62;
or darkness mixed with starlights at night
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/e91729792dabf29f56a712eebd6f4e7c85e8471bdbb3d2de495eb951a60c1964/IMG_3338.jpeg" data-mid="251612276" border="0"  src="https://freight.cargo.site/w/1000/i/e91729792dabf29f56a712eebd6f4e7c85e8471bdbb3d2de495eb951a60c1964/IMG_3338.jpeg" /&#62;

the sun rises over monterolo are phenomenal - on the horizon on the left you can see monte conero&#38;nbsp;

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/990da4601ce5082d3d394daf30d1698632a5b1571d64c197ba512d6d64160eae/IMG_8076.jpeg" data-mid="251617989" border="0"  src="https://freight.cargo.site/w/1000/i/990da4601ce5082d3d394daf30d1698632a5b1571d64c197ba512d6d64160eae/IMG_8076.jpeg" /&#62;

also the sunsets are truly magic
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/76b35fcaf59bca9bc3aeee404ad06770cb2a004fe1ddf4ebe2b4ae9fa0c143ac/IMG_3381.jpeg" data-mid="251618077" border="0"  src="https://freight.cargo.site/w/1000/i/76b35fcaf59bca9bc3aeee404ad06770cb2a004fe1ddf4ebe2b4ae9fa0c143ac/IMG_3381.jpeg" /&#62;the entire area is very peacefull and rural

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/2bceff8b8cb2b80b18cb337413ebd4322c786fb86619a678310522897920737e/IMG_3996.jpeg" data-mid="251617949" border="0"  src="https://freight.cargo.site/w/1000/i/2bceff8b8cb2b80b18cb337413ebd4322c786fb86619a678310522897920737e/IMG_3996.jpeg" /&#62;

it is amazing to see when the colours slowly change from season to season 


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a68055c5c1764de8bc273363035703f9059767ef51cb80938eb2adeed80a8833/IMG_0903.jpeg" data-mid="251617964" border="0"  src="https://freight.cargo.site/w/1000/i/a68055c5c1764de8bc273363035703f9059767ef51cb80938eb2adeed80a8833/IMG_0903.jpeg" /&#62;
the air changes as well and the different smells it brings are unforgetable 

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/36c6cd8d9cb69594667d56efc9455a95b2cb0101a73844e157f5a47a3f4d33fe/IMG_6903.jpeg" data-mid="251617925" border="0"  src="https://freight.cargo.site/w/1000/i/36c6cd8d9cb69594667d56efc9455a95b2cb0101a73844e157f5a47a3f4d33fe/IMG_6903.jpeg" /&#62;of course the temprature can get frosty too in the winter time&#38;nbsp;

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/c0ea7114d71d4d26c8364b39dbaba18340926a8851d13d4378d702611347be6c/IMG_7181.jpeg" data-mid="251617921" border="0"  src="https://freight.cargo.site/w/1000/i/c0ea7114d71d4d26c8364b39dbaba18340926a8851d13d4378d702611347be6c/IMG_7181.jpeg" /&#62;
even though the sun might not always be shining through, the reflections of light can still be rather bright

&#60;img width="1620" height="2160" width_o="1620" height_o="2160" data-src="https://freight.cargo.site/t/original/i/52f3b3f1b5cc9618fc585abd9fd4c45e3c7d26fecc4a0f9f953955f97a3212e5/E49E4D3A-B18A-49B5-ABE2-9FECC04B2705.jpg" data-mid="251617918" border="0"  src="https://freight.cargo.site/w/1000/i/52f3b3f1b5cc9618fc585abd9fd4c45e3c7d26fecc4a0f9f953955f97a3212e5/E49E4D3A-B18A-49B5-ABE2-9FECC04B2705.jpg" /&#62;even at night the moon can throw it’s cold shadows &#38;nbsp;


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a98a1ace1894b5a8a444355d3179c875da7f56cc8d1c5d76946ea4e1a3232509/IMG_7217.jpeg" data-mid="251617915" border="0"  src="https://freight.cargo.site/w/1000/i/a98a1ace1894b5a8a444355d3179c875da7f56cc8d1c5d76946ea4e1a3232509/IMG_7217.jpeg" /&#62;



whilst the sun brings back warm rays and shadows the next day&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/4b03e6697cb7d00fac2b42260c5e3a967cfceffdc9ca71a5f64b1f8a05042e5d/IMG_1388.jpeg" data-mid="251612252" border="0"  src="https://freight.cargo.site/w/1000/i/4b03e6697cb7d00fac2b42260c5e3a967cfceffdc9ca71a5f64b1f8a05042e5d/IMG_1388.jpeg" /&#62;
	

casa di papo is a holy place and we wish to share with it with our friends and families ...
&#60;img width="2273" height="2841" width_o="2273" height_o="2841" data-src="https://freight.cargo.site/t/original/i/39c9cd7ab25cfa43ad84119bb70ef0fe390984bc46d4119b618f1ff9971521bc/2C13F0A2-7695-4A80-BA59-EB5320158230_1_201_a.jpeg" data-mid="251721960" border="0"  src="https://freight.cargo.site/w/1000/i/39c9cd7ab25cfa43ad84119bb70ef0fe390984bc46d4119b618f1ff9971521bc/2C13F0A2-7695-4A80-BA59-EB5320158230_1_201_a.jpeg" /&#62;

we are freya, fee and philipp (from top to bottom)
&#60;img width="1315" height="1197" width_o="1315" height_o="1197" data-src="https://freight.cargo.site/t/original/i/5dcb4ebe26aee01e0f58c8df3d9aa0d74451808768c97d4ffc953ab451b1b6ce/ChatGPT-Image-Sep-1--2026--08_05_22-AM.png" data-mid="251722012" border="0"  src="https://freight.cargo.site/w/1000/i/5dcb4ebe26aee01e0f58c8df3d9aa0d74451808768c97d4ffc953ab451b1b6ce/ChatGPT-Image-Sep-1--2026--08_05_22-AM.png" /&#62;
this is andreas (aka papo) on the beach in marotta on a stormy day&#38;nbsp;
&#60;img width="3840" height="2543" width_o="3840" height_o="2543" data-src="https://freight.cargo.site/t/original/i/3044d7385bff49b183f0824c3aa8502252a99f1450a11ef55ba118671b386703/f4e2ec74-72f8-451c-b4fb-2da205a7210b.jpg" data-mid="251693798" border="0"  src="https://freight.cargo.site/w/1000/i/3044d7385bff49b183f0824c3aa8502252a99f1450a11ef55ba118671b386703/f4e2ec74-72f8-451c-b4fb-2da205a7210b.jpg" /&#62;


the ‘spaggia libera’ in marotta is 4o min drive from the house

&#60;img width="2048" height="1538" width_o="2048" height_o="1538" data-src="https://freight.cargo.site/t/original/i/7c30b94dbc47a675500f99677c81f8479ea2fa9edfd66a136d60a321fc94992f/gola-di-burano-1.jpg" data-mid="251676837" border="0"  src="https://freight.cargo.site/w/1000/i/7c30b94dbc47a675500f99677c81f8479ea2fa9edfd66a136d60a321fc94992f/gola-di-burano-1.jpg" /&#62;

in the area you can find spectactular sites such as gola di furlo&#38;nbsp;



&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/e41ddd091954376c44a9e076b137ff50dcbb9d4d298d09ca37e330ecd01e593f/IMG_0398.jpeg" data-mid="251678487" border="0"  src="https://freight.cargo.site/w/1000/i/e41ddd091954376c44a9e076b137ff50dcbb9d4d298d09ca37e330ecd01e593f/IMG_0398.jpeg" /&#62;
the bays and beaches near ancona such as spaggia mezzavale


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/fec24bd14272e7760b733bdb1176ccc158993d369ad0c185cfa9eac1cb067bbb/IMG_0729.jpeg" data-mid="251676691" border="0"  src="https://freight.cargo.site/w/1000/i/fec24bd14272e7760b733bdb1176ccc158993d369ad0c185cfa9eac1cb067bbb/IMG_0729.jpeg" /&#62;
or these fascinating caves - grotte di frasassi


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/389c8c61aa8f9def815e4b0085a95efe47c0936753f1351585c1a74e93c0a3ed/IMG_0290.jpeg" data-mid="251678486" border="0"  src="https://freight.cargo.site/w/1000/i/389c8c61aa8f9def815e4b0085a95efe47c0936753f1351585c1a74e93c0a3ed/IMG_0290.jpeg" /&#62;
the list goes on with monte catria near frontone

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/e779dc5749c5c7859f7a096f2e4e634a05b8f6d52236bc6103cc85671e3380c3/IMG_1124.jpeg" data-mid="251620309" border="0"  src="https://freight.cargo.site/w/1000/i/e779dc5749c5c7859f7a096f2e4e634a05b8f6d52236bc6103cc85671e3380c3/IMG_1124.jpeg" /&#62;this selection of pictures shows the summer house that my sisters Freya, Fee and I have inhereted from our father Andreas von Hase, as well as pictures of it’s wonderfull suroundings - &#38;nbsp;if you are intersted in going and staying there for some time - please reach out to one of us by mail or phone

some practical info - the house sleeps four people, but there is only bedroom - you will need a car to get around - to the adriatic coast it is a 40 km &#38;nbsp;drive - &#38;nbsp;the nearest train stations are marotta or fabriano - the nearest airports are bologna and rome -&#38;nbsp;

the exact location of casa di papo on the map is&#38;nbsp;
https://maps.app.goo.gl/KKAAvKtVFA7vg39VA



&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/c09c2b5b505c5561fe002d8e08d64e239dea1c9a644a5fed0f1fdb1908c63a2e/IMG_1131.jpeg" data-mid="251617872" border="0"  src="https://freight.cargo.site/w/1000/i/c09c2b5b505c5561fe002d8e08d64e239dea1c9a644a5fed0f1fdb1908c63a2e/IMG_1131.jpeg" /&#62;
there is also a small playground down in the woods &#38;nbsp;
&#60;img width="2494" height="3325" width_o="2494" height_o="3325" data-src="https://freight.cargo.site/t/original/i/c803a1a39465f57db47bf644e1f034062b5977aebb72347a041aab52cec1ec4c/IMG_1127-2.jpeg" data-mid="252462675" border="0"  src="https://freight.cargo.site/w/1000/i/c803a1a39465f57db47bf644e1f034062b5977aebb72347a041aab52cec1ec4c/IMG_1127-2.jpeg" /&#62;
with a slide and a merry-go-round&#38;nbsp;


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/770b65747f77ca5f088b99ccc904bc24cbd359e33beb1427ff7b00a0bd3328e7/IMG_1125-2.jpeg" data-mid="252462676" border="0"  src="https://freight.cargo.site/w/1000/i/770b65747f77ca5f088b99ccc904bc24cbd359e33beb1427ff7b00a0bd3328e7/IMG_1125-2.jpeg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>store</title>
				
		<link>https://philippvonhase.com/store</link>

		<pubDate>Mon, 30 Aug 2021 11:01:09 +0000</pubDate>

		<dc:creator>Philipp von Hase</dc:creator>

		<guid isPermaLink="true">https://philippvonhase.com/store</guid>

		<description>&#60;img width="7114" height="8893" width_o="7114" height_o="8893" data-src="https://freight.cargo.site/t/original/i/18b26081c9f619f0f2953a8902aff90d12be89806da51ffd75aadf3faa724ce2/Philipp-von-hasen--21.jpeg" data-mid="226097730" border="0"  src="https://freight.cargo.site/w/1000/i/18b26081c9f619f0f2953a8902aff90d12be89806da51ffd75aadf3faa724ce2/Philipp-von-hasen--21.jpeg" /&#62;

welcome to my store and work space called werkleben, 
in the city center of bergen on the west coast of norway

&#60;img width="6963" height="8704" width_o="6963" height_o="8704" data-src="https://freight.cargo.site/t/original/i/9998dbb82ab8b647eaae43786ead0eea41cdce95f28d9c25bdcaaa14e5a5c010/Philipp-von-hasen--19--copy.jpeg" data-mid="226097727" border="0"  src="https://freight.cargo.site/w/1000/i/9998dbb82ab8b647eaae43786ead0eea41cdce95f28d9c25bdcaaa14e5a5c010/Philipp-von-hasen--19--copy.jpeg" /&#62;

here i design and develop furniture creations and engage with colleagues and clients, neighbours and friends

&#60;img width="6949" height="8687" width_o="6949" height_o="8687" data-src="https://freight.cargo.site/t/original/i/9b0bf1ac455be7b76d202b947d998a292e35a6ab23161c672c8dd6dad50c908a/Philipp-von-hasen--18-.jpeg" data-mid="226097726" border="0"  src="https://freight.cargo.site/w/1000/i/9b0bf1ac455be7b76d202b947d998a292e35a6ab23161c672c8dd6dad50c908a/Philipp-von-hasen--18-.jpeg" /&#62;werkleben is located in christian michelsen´s gate 7, 
right across the raod from the national theater in bergen&#38;nbsp;
&#60;img width="7114" height="8893" width_o="7114" height_o="8893" data-src="https://freight.cargo.site/t/original/i/bfcf59f49ab40fb2b2dea444ed785058d3b3f591990955268686422faa2bdb85/Philipp-von-hasen--11.jpeg" data-mid="226097721" border="0"  src="https://freight.cargo.site/w/1000/i/bfcf59f49ab40fb2b2dea444ed785058d3b3f591990955268686422faa2bdb85/Philipp-von-hasen--11.jpeg" /&#62;

please feel free to come by next time you are in town or in the neigbourhood
&#60;img width="7137" height="8853" width_o="7137" height_o="8853" data-src="https://freight.cargo.site/t/original/i/839ee8679848daa924b584ca574f3dfd8e6b69e027cdc3091a7bb1a3296a222b/Philipp-von-hasen--8--.jpeg" data-mid="226097718" border="0"  src="https://freight.cargo.site/w/1000/i/839ee8679848daa924b584ca574f3dfd8e6b69e027cdc3091a7bb1a3296a222b/Philipp-von-hasen--8--.jpeg" /&#62;


&#60;img width="7115" height="8893" width_o="7115" height_o="8893" data-src="https://freight.cargo.site/t/original/i/8d4b4ce8d60ff83ea89cb19ae9fba120b0829029d16446ea6541fffe1e6b97f9/Philipp-von-hasen--5-.jpeg" data-mid="226097715" border="0"  src="https://freight.cargo.site/w/1000/i/8d4b4ce8d60ff83ea89cb19ae9fba120b0829029d16446ea6541fffe1e6b97f9/Philipp-von-hasen--5-.jpeg" /&#62;


&#60;img width="7082" height="8853" width_o="7082" height_o="8853" data-src="https://freight.cargo.site/t/original/i/006cc7043e736cd570a26d2ae7868971890eefdeb33cee187a03c7a6ba91145b/Philipp-von-hasen--20-.jpeg" data-mid="226097729" border="0"  src="https://freight.cargo.site/w/1000/i/006cc7043e736cd570a26d2ae7868971890eefdeb33cee187a03c7a6ba91145b/Philipp-von-hasen--20-.jpeg" /&#62;
&#38;nbsp;


&#60;img width="7114" height="8893" width_o="7114" height_o="8893" data-src="https://freight.cargo.site/t/original/i/7ab086457e0523a4b18791ae93fd890f01fe23be93deedff34d79f4e2186d969/Philipp-von-hasen--6-.jpeg" data-mid="226097716" border="0"  src="https://freight.cargo.site/w/1000/i/7ab086457e0523a4b18791ae93fd890f01fe23be93deedff34d79f4e2186d969/Philipp-von-hasen--6-.jpeg" /&#62;

photography by Olga Tuz
&#60;img width="3807" height="5393" width_o="3807" height_o="5393" data-src="https://freight.cargo.site/t/original/i/57a6a33ecd6bd8251fe96e3ebc0227ee3ec96c34a5d95be6af009d3409ddfdfe/IMG_5572.JPG" data-mid="238755271" border="0"  src="https://freight.cargo.site/w/1000/i/57a6a33ecd6bd8251fe96e3ebc0227ee3ec96c34a5d95be6af009d3409ddfdfe/IMG_5572.JPG" /&#62;
 

(22.09.2025) drawing of Werkleben by Risto imljakov-Rongevær, Sanna Hundsnes and Embla Hunderi




&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/fd7eca70092a566c33afa2b5058adb19f3191b6630de91151ec66fc663a68343/dsr-21.jpg" data-mid="117657240" border="0"  src="https://freight.cargo.site/w/1000/i/fd7eca70092a566c33afa2b5058adb19f3191b6630de91151ec66fc663a68343/dsr-21.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/025427ad507fdfd2d71c167c05a2d7c4472d20e07ae5c5fbeafe1014886e657c/dsr-19.jpg" data-mid="117658390" border="0"  src="https://freight.cargo.site/w/1000/i/025427ad507fdfd2d71c167c05a2d7c4472d20e07ae5c5fbeafe1014886e657c/dsr-19.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/feb263c8a0dbde0823998ef4d74da10412caff138a2cda45ab45cdf84dc6c903/dsr-20.jpg" data-mid="117657207" border="0"  src="https://freight.cargo.site/w/1000/i/feb263c8a0dbde0823998ef4d74da10412caff138a2cda45ab45cdf84dc6c903/dsr-20.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/ab66632e7451aea97d01cbbaf916bb43cd786abfe54e4d17494ea4526464d7a6/dsr-24.jpg" data-mid="117655588" border="0"  src="https://freight.cargo.site/w/1000/i/ab66632e7451aea97d01cbbaf916bb43cd786abfe54e4d17494ea4526464d7a6/dsr-24.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/721b64a4938ab62f9074f578bff0322cd1596b099fc4b3a32651e230700c4313/dsr-30.jpg" data-mid="117654209" border="0"  src="https://freight.cargo.site/w/1000/i/721b64a4938ab62f9074f578bff0322cd1596b099fc4b3a32651e230700c4313/dsr-30.jpg" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e4225b8edf48ef358446e9d7af0a0d7533632bacac475a0b27d1e860275a626c/dsr-28.jpg" data-mid="117659527" border="0"  src="https://freight.cargo.site/w/1000/i/e4225b8edf48ef358446e9d7af0a0d7533632bacac475a0b27d1e860275a626c/dsr-28.jpg" /&#62;
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	</item>
		
		
	<item>
		<title>archive</title>
				
		<link>https://philippvonhase.com/archive</link>

		<pubDate>Thu, 08 Nov 2018 08:49:54 +0000</pubDate>

		<dc:creator>Philipp von Hase</dc:creator>

		<guid isPermaLink="true">https://philippvonhase.com/archive</guid>

		<description>
	




	



	

	

	


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</description>
		
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		<title>info</title>
				
		<link>https://philippvonhase.com/info</link>

		<pubDate>Thu, 01 Nov 2018 10:16:54 +0000</pubDate>

		<dc:creator>Philipp von Hase</dc:creator>

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philipp von haseis a master furniture designer and maker focusing on wood orientedmostly conceptual and multifunctional small scale furniture productions
is also an associate professor &#38;nbsp;
at the institute for design&#38;nbsp;at 
the university of bergen&#38;nbsp;
post@philippvonhase.comfurnature &#38;amp; freedesign
@philipp.vonhase
@werkleben
christian michelsens gate 70047 925685655012 bergennorway



bio
philipp is a master furniture designer and maker based in bergen, norway. during his time as a journeyman he manufactured furniture in copenhagen, denmark  and taught traditional wood work in a social and educational project in sao paolo, brazil.over the past decade he has been focusing on his own wood oriented small scale productions. his works often result in a design discussion between the conceptual, physical and psychological form. these rather sculptural pieces have been exhibited in galleries, museums and fairs around the world.





exhibitions2026 ‘socio’ benches at vevring exhibition, no 2026 ‘socio’ benches at crafts bianual in oslo, no&#38;nbsp;

2026 ‘mano’ chair at bare dråper in bergen, no 
2026 ‘tchncl drwngs’ at cafe opera in bergen, no
2025 ‘full circle’ at hesten og plysen group show in innvik, no

2025 three ‘cavalletta’ benches at kabuso kunstsenter in øystese, no
2025 ‘technical drawings’ at studio forum at kmd in bergen, no
2024 ‘cavalletta’ at enter art fair in copenhagen, dk
2024 ‘nero’ solo exhibition in the marches, pergola, it
2024 blickfang design fair at diechtorhallen in hamburg, de
2022 ‘pebble’ norwegian folk art biannual in ytre arna, no&#38;nbsp;

2021 ‘circus’ norwegian presence exhibition, online2020 ‘werkliebe’ center for crafts on bornholm, dk2020 ‘una’ norwegian presence exhibiton, online&#38;nbsp;2019 ‘werkleben’ at designers saturday in oslo, no2019 ‘aaltobelli’ tendens interior design fair in bergen,no2019 ‘trialog’ he xiangning art museum in shenzhen, ch2018 'omera' fresh paint art and design fair in tel aviv, il2018 'samara' coat hangers on display at pallet in oslo, no2017 'stable' table legs on display at kode shop in bergen, no2016 'omera' stool at gallery via during paris design week, fr2016 'freedesign' craft exhibition at gallery vilvin in risør, no2016 'trialog' at meet my project during milan design week, it2015 'creation station' during raff design week in bergen, no2015 'cultivation station' at trash cuisine helsinki design week, fi 2015 'spire, samara &#38;amp; soleuna' at designers saturday in oslo, no2015 'cultivation station' at hardbakka ruins show in bergen, no2015 'soleluna' ventura lambrate composed exhibition milan, it2015 'signa ligna' at christiania's exhibition in copenhagen, dk2015 'trialog' at the norwegian forest museum in elverum, no2014 'signa ligna' at hundret percent norway at tent london,uk2014 'samara' cloth hanger at nordic design fair in oslo, no2014 'nordic passion' at seoul museum of art, south korea2013 'ich bin ein bergenser' furniture at kode in bergen, no2013 'present re.cyceles' at edsvik konsthall in stockholm. se2013 'spire' at 100% norway during london design festival, uk2013 'trialog' at dmy design festival in berlin tempelhof, de2013 'trialog' chair design at the stockholm furniture fair, se2012 'home is where your door is at helsinki design week, fi2012 'present cycles' sculpture exhibition in christiania, cph2011 freedesign show at gallerie bokboden in bergen, no 


curriculum vitae

2026 research project ‘socio’ at the institute for design - uib, no
2025 finalizing ‘memori’ master piece at werkleben in bergen, no
2024 permaculture teacher in the nordic permaculture association, no

2023 associate professor (50%) in design at the university in bergen, no
2022 universtity lecturer (20%) at the design department in bergen, no2021 opening of werkleben studio and shop in the center of bergen , no
2020 local small scale furniture and craft production in bergen, no2019 manifesting and establshing werkleben workshop in bergen, no2018 wood workshop manager at aldea workshops in bergen, no2017 furniture design and aldea workshops project in bergen, no2016 furniture design and creation station project in bergen, no2016 master degree in furniture and spatial design, bergen, no2015 establishing furnature and freedesign studio in bergen, no2014 redesign concept film production for tv two bliss in oslo, no2013 work at konstnärernas kollektivverkstad in stockholm, se2013 bachelor in furniture design at academy of arts in bergen, no2012 studies at the sculpture department at belas artes in lisboa, pt2011 furniture design studies at the academy of arts in bergen, no2010 design studies at the permaculture academy in berlin, de2009 teaching woodwork at ‚projeto alavanca’ in sao paulo, br2008 work place at rud rasmussen’s furniture production in cph, dk2007 creative work and involvement in christiania, copenhagen, dk2006 craftsmens journey as travelling furniture maker begins, eu2005 certified permaculture design course in lower- saxony, de2004 practical one year boatbuilding experience in hanover, de2003 three year apprenticeship in furniture making in hanover, de2002 voluntary work with the ngo ‚tools for solidarity’ in belfast, ni


acquisitions

National Museum of Decorative Arts and Design in Trondheim
Kode Bergen Art Museum



grants

2026 one year work stipend from the municiplaity of bergen, no2020 - 2023 &#38;nbsp;work stipend from the norwegian crafts association in oslo, no



boards
 board member at the regional art center in bergen 2025 - 2027



juries
jury member for regional project funds in west norway 2024 - 2026
jury leader for regional project funds in west norway 2026 - 2028



awards
2026 crafts bianual award by norwegian folk art association, no2022 diploma for sustainable craft by norwegian folk art association, no2017 award for ‘omera’ stools at the annual craft market in risør, no2016 newcomer award for 'creation station' at the craft market in risør, no2013 design award for 'trialog' chair at designers saturday in oslo, no

residencies&#38;nbsp;

2021 artist in residence at nida art colony in neringa, lithuania2019 artist in residence at the nordic artist center in dale, norway



workshops&#38;nbsp;

2023 ‘cross course’ at bergen school of architecutre, no
2019 ‘werkleben’ design manifesto in bergen, no
2016 ‘tøyen replanted’ public intevention in oslo, no
2015 ‘hardbakka ruins’ art in public space in bergen, de
2012 ‘down on the farm’ pure art installations outside warsaw, pl
2011 ‘think like a forest’ at haus der kulture der welt in berlin, de




memberships
2023 homo faber&#38;nbsp;
2022 norges husflidslag
2022 norges permakulturforening&#38;nbsp;
2020 norske kunsthåndverkere
2017 design region bergen
2016 greenpeace&#38;nbsp;



clients

gaptrast
lysverket &#38;amp;&#38;nbsp;hoggorm
bergen kaffebrenneriet
bergen offentlig bibliothek
festspillene i bergen
statsraad lehmkuhl
bit teatergerasjen 
skaugum bestikk
aga sideri
t-michael
anti




collaborations&#38;nbsp;

situs furniture 
gjenbruks akademiet
kaleidoscope arkitekter
københavns møbelsnedkeriet
bit teatergerasjen
thimothee boyat
on/off collective
vill arkitkekter
ingvild litlere
jacob bue
aldea
3rw&#38;nbsp;


&#38;nbsp;</description>
		
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	<item>
		<title>patterns</title>
				
		<link>https://philippvonhase.com/patterns</link>

		<pubDate>Wed, 09 Nov 2022 09:12:50 +0000</pubDate>

		<dc:creator>Philipp von Hase</dc:creator>

		<guid isPermaLink="true">https://philippvonhase.com/patterns</guid>

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&#60;img width="675" height="1024" width_o="675" height_o="1024" data-src="https://freight.cargo.site/t/original/i/8584ff296821dd8dda8fb7cb82c05a1d4cacc4725b9e9b0b04c4d0034be552ab/core-model-bill-mollison.jpg" data-mid="158461808" border="0" data-scale="38" src="https://freight.cargo.site/w/675/i/8584ff296821dd8dda8fb7cb82c05a1d4cacc4725b9e9b0b04c4d0034be552ab/core-model-bill-mollison.jpg" /&#62;






core model

the so called core model, which translates to a 3 dimension torus, is a pattern that Bill Mollison 
(Permaculture: A Designers' Manual, pub.1988) spoke widely of because of its transformative energy

“the green photosynthesizing top of a tree is connected to a trunk of sturdiness while its anchor lies below with the roots firmly planted in the ground to hold the weight of it all and deal with the forces of nature. the two connect to share resources and exchange inwardly within the tree systems itself but connect further to biodiversity such as birds and bacteria and also cycles like the hydrological and carbon cycle.”


&#60;img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/afc3082ba3d483f06bd32bdbb7565074feb9ae4722f0943a084b695676621b32/craft-like-a-forest-7.jpg" data-mid="158786401" border="0" data-scale="60" src="https://freight.cargo.site/w/1000/i/afc3082ba3d483f06bd32bdbb7565074feb9ae4722f0943a084b695676621b32/craft-like-a-forest-7.jpg" /&#62;



another interesting side of the core model pattern is that when paired together, they form spheres. a sphere is a very special shape because it is the shape that can hold the most amount of matter (volume) for the the least amount of surface area. In other words, it is a perfect example of efficient use of space and resources.




&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/82c8281cb8b4ff2c4b443008afd9a1efa3e97adaf6cd070eefa1f430ac4eee9c/1000_F_267329246_2XZUWG2qonL79lyrNwDLgpIeDTDLeV7X.jpeg" data-mid="158805354" border="0" data-scale="54" src="https://freight.cargo.site/w/1000/i/82c8281cb8b4ff2c4b443008afd9a1efa3e97adaf6cd070eefa1f430ac4eee9c/1000_F_267329246_2XZUWG2qonL79lyrNwDLgpIeDTDLeV7X.jpeg" /&#62;




gaia theory
the earth is more then just a home, it is a&#38;nbsp;living system and we are part of it &#38;nbsp; 
James Lovelock (1919 - 2022)
the gaia theory or the gaia principle, proposes that all living organisms interact with their surroundings on earth to form a synergistic and self-regulating, complex system that helps to maintain and perpetuate the conditions for life on the planet.
the hypothesis was formulated by the chemist James Lovelock and co-developed by the microbiologist Lynn Margulis in the 1970s. Lovelock named the idea after Gaia, the goddess who personified the earth in greek mythology





&#60;img width="1372" height="1250" width_o="1372" height_o="1250" data-src="https://freight.cargo.site/t/original/i/d5726dc6bb5bac97b5893209d24fb46563919d2c7e4a2233e8e67b8f973889f0/Skjermbilde-2021-02-15-kl.-13.12.07.jpeg" data-mid="158805980" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/d5726dc6bb5bac97b5893209d24fb46563919d2c7e4a2233e8e67b8f973889f0/Skjermbilde-2021-02-15-kl.-13.12.07.jpeg" /&#62;





gaia model&#38;nbsp;

&#38;nbsp;
so in a world of abundance it will be necessary to develop a more circular society to maintain and secure the opportunities of our and future generations. design of the future should generate local value chains with a focus on cyclical processes

when working with wood, one is easily left with a minimum of thirty to fifty per cent off-cuts, wood chips and saw dust.



&#60;img width="4000" height="4000" width_o="4000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/4a19cfbf3539eba504c45e092391fa5c0a50b7c3391dfe1627bbe887de844c14/craft-like-a-forest-gaia-lnn-hvit.jpg" data-mid="158809503" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/4a19cfbf3539eba504c45e092391fa5c0a50b7c3391dfe1627bbe887de844c14/craft-like-a-forest-gaia-lnn-hvit.jpg" /&#62;
in the ‘design like a forest’ project we will be investigating the possibilities of making a biodegradable wood composite material, consisting of natural wood fiber based resources. imagine 'liquid' wood that can be poured, shaped, casted and moulded.
 
I believe that excellence in design is complemented by excellence in research that advances material understanding, drives development of innovative tools and techniques, and pushes forward artistic endeavor. 




&#60;img width="3509" height="2481" width_o="3509" height_o="2481" data-src="https://freight.cargo.site/t/original/i/201a317406e26771d284155cf512d0df798e3faf5c7b52ad32b7b9d34d9eb302/gaia-pressform-opened.jpg" data-mid="158786345" border="0"  src="https://freight.cargo.site/w/1000/i/201a317406e26771d284155cf512d0df798e3faf5c7b52ad32b7b9d34d9eb302/gaia-pressform-opened.jpg" /&#62;

I also believe that design, crafts and making are vital to our society, culture and economy. through engagement with materials and ideas, we develop creativity, inventiveness, problem- solving and practical intelligence. collaborating and exercising through design and crafts develops valued skills for all and nurtures skills of communication and creativity. 



&#60;img width="1284" height="1348" width_o="1284" height_o="1348" data-src="https://freight.cargo.site/t/original/i/f49f8763ea51c85dda56296179b9417fb31ce8ffeb9dae0207f54ed637ce3dea/bio-region-screen-shot.jpeg" data-mid="158854902" border="0" data-scale="56" src="https://freight.cargo.site/w/1000/i/f49f8763ea51c85dda56296179b9417fb31ce8ffeb9dae0207f54ed637ce3dea/bio-region-screen-shot.jpeg" /&#62;





a bio-region is a geographical area, not defined by political or national borders, but by it’s natural eco-system where peoples prosperity, biodiversity and natural resources are interdependent, it is also about identity and belonging. traditionally local communities were circular by essence. thanks to simple transformation and local knowledge, everything was used and produced with nearly no waste. in contrast, the linear industrial system produces waste all through its value chains.









........







a bio-composite is a composite material formed by a matrix (resin) and a reinforcement of natural fibers. the matrix is formed by polymers derived from renewable resources. the matrix is important to protect the fibers from environmental degradation and mechanical damage, to hold the fibers together and to transfer the loads on it. in addition, bio fibers are the principal components of bio-composites, which are derived from biological origins, for example fibers from cotton, flax, hemp, recycled wood, waste paper or regenerated cellulose fiber.




&#60;img width="2540" height="1368" width_o="2540" height_o="1368" data-src="https://freight.cargo.site/t/original/i/89d94f832f49e28c79bdc7a9039894772c58ce0fabfbe6850809454ad05718b4/wood-cells-drwaing-lignion-2.jpeg" data-mid="158796028" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/89d94f832f49e28c79bdc7a9039894772c58ce0fabfbe6850809454ad05718b4/wood-cells-drwaing-lignion-2.jpeg" /&#62;
lignin is a class of complex organic polymers that form key structural materials in the support tissues of most plants. lignin is particularly important in the formation of cell walls, especially in wood and bark, because they lend rigidity and do not rot easily. 




&#60;img width="850" height="476" width_o="850" height_o="476" data-src="https://freight.cargo.site/t/original/i/0a536adee6edce56b4965698d5215274832d01031ae9df558998544063866b26/Schematic-representation-of-Holts-model-The-calcium-phosphate-formed-nanocluster-as.png" data-mid="158810681" border="0" data-scale="73" src="https://freight.cargo.site/w/850/i/0a536adee6edce56b4965698d5215274832d01031ae9df558998544063866b26/Schematic-representation-of-Holts-model-The-calcium-phosphate-formed-nanocluster-as.png" /&#62;

natural adhesives or binding agnets are made from organic sources such as vegetable starch, natural resins, or animals e.g. the milk protein casein. these are often referred to as bioadhesives. the principal ingredients of a casein glue for example are casein, water, hydrated lime, and sodium hydroxide. </description>
		
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	<item>
		<title>principles </title>
				
		<link>https://philippvonhase.com/principles</link>

		<pubDate>Wed, 09 Nov 2022 09:13:54 +0000</pubDate>

		<dc:creator>Philipp von Hase</dc:creator>

		<guid isPermaLink="true">https://philippvonhase.com/principles</guid>

		<description>


&#60;img width="1238" height="1411" width_o="1238" height_o="1411" data-src="https://freight.cargo.site/t/original/i/2c74e12dadcb0b308431a06f31c3271f3250b62d52a0c586d0990cd44bf7eb6c/EssenceofPmC2-1-1.jpeg" data-mid="158459779" border="0"  src="https://freight.cargo.site/w/1000/i/2c74e12dadcb0b308431a06f31c3271f3250b62d52a0c586d0990cd44bf7eb6c/EssenceofPmC2-1-1.jpeg" /&#62;


permaculture design principlesThe essence of Permaculture: 
Principles and Pathways Beyond Sustainability
by David Holmgren, publisher Holmgren Services 2002



permaculture in a nutshell
permaculture is an approach to land management and settlement design that adopts arrangements observed in flourishing natural ecosystems. it includes a set of design principles derived using whole-systems thinking. it applies these principles in fields such as regenerative agriculture, town planning, rewilding, and community resilience. the term was coined in 1978 by Bill Mollison and David Holmgren, who formulated the concept in opposition to modern industrialized methods, instead adopting a more traditional or "natural" approach to agriculture



principles of permaculture
ethics are the moral principles that are used to guide action toward good and right outcomes and away from bad and wrong outcomes.ethics act as constraints on survival instincts and the other personal and social constructs of self- interest that drive human behaviour in any society. 
they are culturally evolved mechanisms formore enlightened self-interest, a more inclusive view of who and what constitutes “us” and a longer-term understanding of good and bad outcomes. 
the greater the power of human civilisation (due to energy availability) and the greater the concentration and scale of power within society, the more critical ethics become in ensuring long-term cultural—and even biological—survival. this ecologically functional view of ethics makes them central in the development of a culture for energy descent.
like design principles, ethical principles were not explicitly listed in early permaculture literature. since the development of the Permaculture Design Course, ethics have generally been covered by three broad maxims or principles:



earth care
people care
fair share

(set limits to consumption and reproduction, and redistribute surplus)

these principles were distilled from research into community ethics, as adopted by older religious and cooperative groups. The third principle, and even the second, can be seen as derived from the first.

Essence of Permaculture Page 5/16
The Essence of Permaculture (2nd Ed) Extracts from Permaculture: Principles and Pathways Beyond Sustainability&#38;nbsp;by David Holmgren 2002




OBSERVE AND INTERACT

Beauty is in the eye of the beholder

Good design depends on a free and harmonious relationship to nature and people, in which careful observation and thoughtful interaction provide the design inspiration, repertoire and patterns. It is not something that is generated in isolation, but through continuous and reciprocal interaction with the subject.

Permaculture uses these conditions to consciously design our energy descent pathway.
In hunter-gatherer and low-density agricultural societies, the natural environment provided all&#38;nbsp;material needs, with human effort mainly required for harvesting. In pre-industrial societies wit&#38;nbsp;high population densities, agricultural productivity depended on large and continuous input of human labour.&#38;nbsp;Industrial society depends on large and continuous inputs of fossil fuel energy to provide its food and other goods and services. Permaculture designers use careful observation and thoughtful interaction to reduce the need for both repetitive manual labour and for non-renewable energy and high technology.

In a world where the quantity of secondary (mediated) observation and interpretation threatens to drown us, the imperative to renew and expand our observation skills (in all forms) is at least as important as the need to sift and make sense of the flood of mediated information. Improved skills of observation and thoughtful interaction are also more likely sources of creative solutions than brave conquests in new fields of specialised knowledge by the armies of science and technology.

The icon for this principle is a person as a tree, emphasising ourselves in nature and transformed by it. It can also be envisaged as the keyhole in nature through which one sees the solution.

The proverb “beauty is in the eye of the beholder” reminds us that the process of observing influences reality and that we must always be circumspect about absolute truths and values.


CATCH AND STORE ENERGY

Make hay while the sun shines.

We live in a world of unprecedented wealth, resulting from the harvesting of the enormous storages of fossil fuels created by the earth over billions of years. We have used some of this wealth to increase our harvest of the earth’s renewable resources to an unsustainable degree. Most of the adverse impacts of this over-harvesting will show up, as available fossil fuels decline. In financial language, we have been living by consuming global capital in a reckless manner that would send any business bankrupt.

We need to learn how to save and reinvest most of the wealth that we are currently consuming or wasting, so that our children and descendants might have a reasonable life. The ethical foundation for this principle could hardly be clearer. Unfortunately, conventional notions of value, capital, investment and wealth are not useful in this task.

Inappropriate concepts of wealth have led us to ignore opportunities to capture local flows of both renewable and non-renewable forms of energy. Identifying and acting on these opportunities can provide the energy by which we can rebuild capital, as well as provide us with an “income” for our immediate needs.

This principle deals with the capture and long-term storage of energy, that is, savings and investment to build natural and human capital. The generation of income (for immediate needs) is dealt with in Principle 3: Obtain a yield.

The icon of sunshine captured in a bottle suggests the preserving of seasonal surplus and a myriad of other traditional and novel ways to catch and store energy. It also reflects the basic lesson of biological science: that all life is directly or indirectly dependent on the solar energy captured by green plants.

The proverb “make hay while the sun shines” reminds us that we have limited to time to catch and store energy before seasonal or episodic abundance dissipates.



OBTAIN A YIELD

You can’t work on an empty stomach.

The previous principle focused our attention on the need to use existing wealth to make long-term investments in natural capital. But there is no point in attempting to plant a forest for the grandchildren if we haven’t got enough to eat today.

This principle reminds us that we should design any system to provide for self-reliance at all levels (including ourselves) by using captured and stored energy effectively to maintain the system and capture more energy. More broadly, flexibility and creativity in finding new ways to obtain a yield will be critical in the transition from growth to descent.

Without immediate and truly useful yields, whatever we design and develop will tend to wither while elements that do generate immediate yield will proliferate. Whether we attribute it to nature, market forces or human greed, systems that most effectively obtain a yield, and use it most effectively to meet the needs of survival, tend to prevail over alternatives.
 
A yield, profit or income&#38;nbsp;functions as a reward that encourages, maintains and/or replicates the system that generated the yield. In this way, successful systems spread. In systems language these rewards are called positive feedback loops that amplify the original process or signal. If we are serious about sustainable design solutions, then we must be aiming for rewards that encourage success, growth and replication of those solutions.

The original permaculture vision promoted by Bill Mollison of growing gardens of food and useful plants rather than useless ornamentals is still an important example of the application of this principle. The icon of the vegetable with a bite taken shows the production of something that gives us an immediate yield but also reminds us of the other creatures who are attempting to obtain a yield from our efforts.


APPLY SELF-REGULATION AND ACCEPT FEEDBACK

The sins of the fathers are visited on the children unto the seventh generation

This principle deals with self-regulatory aspects of permaculture design that limit or discourage inappropriate growth or behaviour. With better understanding of how positive and negative feedbacks work in nature, we can design systems that are more self-regulating, thus reducing the work involved in repeated and harsh corrective management.

Self-maintaining and regulating systems might be said to be the Holy Grail of permaculture: an ideal that we strive for but might never fully achieve.

Traditional societies recognised that the effects of external negative feedback are often slow to emerge. People needed explanations and warnings, such as “the sins of the fathers are visited on the children unto the seventh generation” and “laws of karma” which operate in a world of reincarnated souls.

In modern society, we take for granted an enormous degree of dependence on large-scale, often remote, systems for provision of our needs, while expecting a huge degree of freedom in what we do without external control. In a sense, our whole society is like a teenager who wants to have it all, have it now, without consequences.

Much of the ecologically dysfunctional aspects of our systems result from this denial of the need for self-regulation and feedback systems that control inappropriate behaviour by simply delivering the consequences of that behaviour back to us. John Lennon’s song “Instant Karma” suggests that we will reap what we sow much faster than we think. The speed of change and increasing connectivity of globalisation may be the realisation of this vision.


The Gaia hypothesis of the earth as a self-regulating system, analogous to a living organism, makes the whole earth a suitable image to represent this principle. Scientific evidence of the earth’s remarkable homeostasis over hundreds of millions of years highlights the earth as the archetypical self-regulating whole system, which stimulated the evolution, and nurtures the continuity, of its



USE AND VALUE RENEWABLE RESOURCES 
AND SERVICES

Let nature take its course

Renewable resources are those that are renewed and replaced by natural processes over reasonable periods, without the need for major non-renewable inputs. In the language of business, renewable resources should be seen as our sources of income, while non-renewable resources can be thought of as capital assets. Spending our capital assets for day-to-day living is unsustainable in anyone’s language. Permaculture design should aim to make best use of renewable natural resources to manage and maintain yields, even if some use of non-renewable resources is needed in establishing the system.

In restoring the balance between renewable and non-renewable resource use, it is often forgotten that these “new ideas” were the norm not so long ago. The joke about the environmentally aware person using a solar clothes dryer (washing line) is funny because it works on the very recent nature of much of this takeover of functions by technology and fossil fuels.

Renewable services (or passive functions) are those we gain from plants, animals and living soil and water without them being consumed. For example, when we use a tree for wood we are using a renewable resource, but when we use a tree for shade and shelter, we gain benefits from the living tree which are non-consuming and require no harvesting energy. This simple understanding is obvious and yet powerful in redesigning systems where many simple functions have become dependent on non-renewable and unsustainable resource use.

Permaculture design should make best use of non-consuming natural services to minimise our consumptive demands on resources and emphasise the harmonious possibilities of interaction between humans and nature. There is no more important example in history of human prosperity derived from non-consuming use of nature’s services than our domestication and use of the horse for transport, soil cultivation and general power for a myriad of uses. Intimate relationships to domestic animals such as the horse also provide an empathetic context for the extension of human ethical concerns to include nature.

The proverb “Let nature take its course” reminds us that human intervention and complication of processes can make things worse and that we should respect and value the wisdom in biological systems and processes.


PRODUCE NO WASTE

Waste not, want notA stitch in time saves nine


This principle brings together traditional values of frugality and care for material goods, the mainstream concern about pollution, and the more radical perspective that sees wastes as resources and opportunities.

The industrial processes that support modern life can be characterised by an input–output model, in which the inputs are natural materials and energy while the outputs are useful things and services. However, when we step back from this process and take a long-term view, we can see all these useful things end up as waste. This model might be better characterised as “consume–excrete”. The view of people as simply consumers and excreters might be biological, but it is not ecological.

Bill Mollison defines a pollutant as “an output of any system component that is not being used productively by any other component of the system”. This definition encourages us to look for ways to minimise pollution and waste through designing systems to make use of all outputs. In response to a question about plagues of snails in gardens dominated by perennials, Mollison was in the habit of replying that there was not an excess of snails but a deficiency of ducks.

The earthworm is a suitable icon for this principle because it lives by consuming plant litter (wastes), which it converts into humus that improves the soil environment for itself, for soil micro- organisms and for the plants. Thus the earthworm, like all living things, is a part of web where the outputs of one are the inputs for another.

The proverb “waste not, want not” reminds us that it is easy to be wasteful when there is an abundance but that this waste can be the cause of later hardship. “A stitch in time saves nine” reminds us of the value of timely maintenance in preventing waste and work involved in major repair and restoration efforts.


DESIGN FROM PATTERNS TO DETAILS

Can’t see the wood for the trees

The first six principles tend to consider systems from the bottom-up perspective of elements, organisms, and individuals. The second six principles tend to emphasise the top-down perspective of the patterns and relationships that tend to emerge by system self-organisation and co-evolution. The commonality of patterns observable in nature and society allows us to not only make sense of what we see but to use a pattern from one context and scale to design in another. Pattern recognition, discussed in Principle 1: Observe and interact, is the necessary precursor to the process of design.

The spider on its web, with its concentric and radial design, evokes zone and sector site planning, the best-known and perhaps most widely applied aspect of permaculture design. The design pattern of the web is clear, but the details always vary.

Modernity has tended to scramble any systemic common sense or intuition that can order the jumble of design possibilities and options that confront us in all fields. This problem of focus on detail complexity leads to the design of white elephants that are large and impressive but do not work, or juggernauts that consume all our energy and resources while always threatening to run out of control. Complex systems that work tend to evolve from simple ones that work, so finding the appropriate pattern for that design is more important than understanding all the details of the elements in the system.

The proverb “Can’t see the wood (forest) for the trees” reminds us that the details tend to distract our awareness of the nature of the system; the closer we get the less we are able to comprehend the larger picture.





INTEGRATE RATHER THAN SEGREGATE

Many hands make light work.

In every aspect of nature, from the internal workings of organisms to whole ecosystems, we find the connections between things are as important as the things themselves. Thus “the purpose of a functional and self-regulating design is to place elements in such a way that each serves the needs and accepts the products of other elements.”16

Our cultural bias toward focus on the complexity of details tends to ignore the complexity of relationships. We tend to opt for segregation of elements as a default design strategy for reducing relationship complexity. These solutions arise partly from our reductionist scientific method that separates elements to study them in isolation. Any consideration of how they work as parts of an integrated system is based on their nature in isolation.

This principle focuses more closely on the different types of relationships that draw elements together in more closely integrated systems, and on improved methods of designing communities of plants, animals and people to gain benefits from these relationships.

The ability of the designer to create systems that are closely integrated depends on a broad view of the range of jigsaw-like lock-and-key relationships that characterise ecological and social communities. As well as deliberate design, we need to foresee, and allow for, effective ecological and social relationships that develop from self-organisation and growth.

The icon of this principle can be seen as a top-down view of a circle of people or elements forming an integrated system. The apparently empty hole represents the abstract whole system that both arises from the organisation of the elements and also gives them form and character.

In developing an awareness of the importance of relationships in the design of self-reliant systems, two statements in permaculture literature and teaching have been central:

each element performs many functions
each important function is supported by many element
The connections or relationships between elements of an integrated system can vary greatly. Some may be predatory or competitive; others are co-operative, or even symbiotic. All these types of relationships can be beneficial in building a strong integrated system or community, but permaculture strongly emphasises building mutually beneficial and symbiotic relationships. This is based on two beliefs:

we have a cultural disposition to see and believe in predatory and competitive relationships, and discount co-operative and symbiotic relationships, in nature and culture

Co-operative and symbiotic relationships will be more adaptive in a future of declining energy.&#38;nbsp;
Permaculture can be seen as part of a long tradition of concepts that emphasise mutualistic andshift the general perception of these concepts from romantic idealism to practical necessity.
symbiotic relationships over competitive and predatory ones.


USE SMALL AND SLOW SOLUTIONS

The bigger they are, the harder they fall. Slow and steady wins the race.

Systems should be designed to perform functions at the smallest scale that is practical and energy- efficient for that function.

Human scale and capacity should be the yardstick for a humane, democratic and sustainable society. Whenever we do anything of a self-reliant nature—growing food, fixing a broken appliance, maintaining our health—we are making very powerful and effective use of this principle. Whenever we purchase from small, local businesses or contribute to local community and environmental issues, we are also applying this principle.

The speed of movement of materials and people (and other living things) between systems should be minimised. A reduction in speed reduces total movement, increasing the energy available for the system’s self-reliance and autonomy.

Speed, especially of personal movement, generates high levels of stimulation that drown out the subtle and the quiet. For example, when we drive somewhere new, we are stimulated by what we see in the landscape. When we travel the same route regularly, we may notice small changes but generally we lose interest and become bored. However, if we ride a bicycle or walk over the same route, our eyes, ears, skin and noses are opened to a new world of subtle stimulation that the enclosure and speed of the car had kept from us.

The spiral house of the snail is small enough to be carried on its back and yet capable of incremental growth. With its lubricated foot, the snail easily and deliberately traverses any terrain. Although it is the bane of gardeners, the snail is an appropriate icon for small scale and slow speed.

The proverb “the bigger they are, the harder they fall” is a reminder of one of the disadvantages of size and excessive growth. The proverb “slow and steady wins the race” is one of many that encourages patience while reflecting a common truth in nature and society.




USE AND VALUE DIVERSITY

Don’t put all your eggs in one basket.

The spinebill and the humming bird both have long beaks and the capacity to hover, perfect for sipping nectar from long, narrow flowers. This remarkable co-evolutionary adaptation symbolises the specialisation of form and function in nature.

The great diversity of forms, functions and interactions in nature and humanity are the source for evolved systemic complexity. The role and value of diversity in nature, culture and permaculture is itself complex, dynamic, and at times apparently contradictory. Diversity needs to be seen as a result of the balance and tension in nature between variety and possibility on the one hand, and productivity and power on the other. It is now widely recognised that monoculture is a major cause of vulnerability to pests and diseases, and therefore of the widespread use of toxic chemicals and energy to control these. Polyculture is one of the most important and widely recognised applications of the use of diversity, but is by no means the only one.

Diversity in different cultivated systems reflects the unique nature of site, situation and cultural context. Diversity of structures, both living and built, is an important aspect of this principle, as is the diversity within species and populations, including human communities.

The proverb “don’t put all your eggs in one basket” embodies the common sense understanding that diversity provides insurance against the vagaries of nature and everyday life


USE EDGES AND VALUE THE MARGINAL

Don’t think you are on the right track just because it is a well-beaten path

The icon of the sun coming up over the horizon with a river in the foreground shows us a world composed of edges.

Tidal estuaries are a complex interface between land and sea that can be seen as a great ecological trade market between these two great domains of life. The shallow water allows penetration of sunlight for algae and plant growth, as well as providing forage areas for wading and other birds. The fresh water from catchment streams rides over the heavier saline water that pulses back and forth with the daily tides, redistributing nutrients and food for the teeming life.

Within every terrestrial ecosystem, the living soil, which may only be a few centimetres deep, is an edge or interface between non-living mineral earth and the atmosphere. For all terrestrial life, including humanity, this is the most important edge of all. Deep, well drained and aerated soil is like a sponge, a great interface that supports productive and healthy plant life. Only a limited number of hardy species can thrive in shallow, compacted and poorly drained soil, which has insufficient edge.

Eastern spiritual traditions and martial arts regard peripheral vision as a critical sense that connects us to the world quite differently to focused vision. This principle reminds us to maintain awareness, and make use, of edges and margins at all scales, in all systems. Whatever is the object of our attention, we need to remember that it is at the edge&#38;nbsp;of any thing, system or medium that the most interesting events take place; design that sees edge as an opportunity rather than a problem is more likely to be successful and adaptable. In the process, we discard the negative connotations associated with the word “marginal” in order to see the value in elements that only peripherally contribute to a function or system.

The proverb “don’t think you are on the right track just because it is a well-beaten path” reminds us that the most common, obvious and popular is not necessarily the most significant or influential.



CREATIVELY USE AND RESPOND TO CHANGE

Vision is not seeing things as they are but as they will be


This principle has two threads: designing to make use of change in a deliberate and co-operative way, and creatively responding or adapting to large-scale system change which is beyond our control or influence. The acceleration of ecological succession within cultivated systems is the most common expression of this principle in permaculture literature and practice. These concepts have also been applied to understand how organisational and social change can be creatively encouraged. As well as using a broader range of ecological models to show how we might make use of succession, I now see this in the wider context of our use of, and response to, change.

In Permaculture One&#38;nbsp;we stated that, although stability was an important aspect of permaculture, evolutionary change was essential. Permaculture is about the durability of natural living systems and human culture, but this durability paradoxically depends in large measure on flexibility and change. Many stories and traditions have the theme that within the greatest stability lie the seeds of change. Science has shown us that the apparently solid and permanent is, at the cellular and atomic level, a seething mass of energy and change, similar to the descriptions in various spiritual traditions.

The butterfly, which is the transformation of a caterpillar, is a suitable icon for the idea of adaptive change that is uplifting rather than threatening.

While it is important to integrate this understanding of impermanence and continuous change into our daily consciousness, the apparent illusion of stability, permanence and sustainability is resolved by recognising the scale-dependent nature of change discussed in Principle 7: Design from patterns to details. In any particular system, the small-scale, fast, short-lived changes of the elements actually contribute to higher-order system stability. We live and design in a historical context of turnover and change in systems at multiple larger scales, and this generates a new illusion of endless change with no possibility of stability or sustainability. A contextual and systemic sense of the dynamic balance between stability and change contributes to design that is evolutionary rather than random.

The proverb “vision is not seeing things as they are but as they will be” emphasises that understanding change is much more than the projection of statistical trend lines. It also makes a cyclical link between this last design principle about change and the first about observation.


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		<title>process</title>
				
		<link>https://philippvonhase.com/process</link>

		<pubDate>Wed, 09 Nov 2022 09:24:16 +0000</pubDate>

		<dc:creator>Philipp von Hase</dc:creator>

		<guid isPermaLink="true">https://philippvonhase.com/process</guid>

		<description>

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dragon dreaming 
project management method
by John Croft Co-Founder of the Gaia University in Western Australia
a systemic design process, a philsosophy and a methodological framework for the realisation of collaborative and regenerative projects, organisations and platforms.


dreamingevery project starts as the dream often by a single individual, but daily experience teaches 90% of our dreams get blocked in the dreaming stage, and this usually happens because we do not share our dreams.&#38;nbsp; 
the first step is to share (y)our dream(s) and build a team around those dreams that work on making the dreams come true.



&#38;nbsp;planing

the second stage is to build a plan: people do not plan to fail, they only fail to plan. 
again experience teaches us that 90% of projects do not work according to plan.&#38;nbsp; 
this is often because the “planners” are seen as the “head” of the organisation, and they blame the “body” of the organisation for not following the plan, whilst the “body” 
might blame the “head” for being out of touch with reality.

 doing
the third stage is where much of the work occurs.&#38;nbsp;this often happens through “burnout” on the part of the initiators, and the lack of effective succession planning. people feel tired and exhausted, because they have not refueled themselves with the fourth step.


celebrating&#38;nbsp;
the fourth stage of a successful project is celebration. 
this is built upon gratitude and thankfulness, acknowledgement and recognition.&#38;nbsp; 
it is celebration that connects the doing of a project back to the original dreaming.&#38;nbsp; We say 25% of any project needs to be celebration.&#38;nbsp; And it needs to be fully integrated throughout the process.









https://dragondreaming.org



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		<title>møbel</title>
				
		<link>https://philippvonhase.com/mobel</link>

		<pubDate>Tue, 27 Nov 2018 16:20:56 +0000</pubDate>

		<dc:creator>Philipp von Hase</dc:creator>

		<guid isPermaLink="true">https://philippvonhase.com/mobel</guid>

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		<title>memori</title>
				
		<link>https://philippvonhase.com/memori</link>

		<pubDate>Sat, 25 Mar 2023 06:57:39 +0000</pubDate>

		<dc:creator>Philipp von Hase</dc:creator>

		<guid isPermaLink="true">https://philippvonhase.com/memori</guid>

		<description>


	møbel memori&#38;nbsp;



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	memori is a wall mounted wooden wardrobe that can be transformed into a coffin


	
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the shelves of the ‘guardarobara’ can slide out and handles can be placed in the sides



	



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&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/658106fe90b1586ee84553bba12c5ef29d21a045836c5fe285818717c351844d/dsr-35.jpg" data-mid="239538559" border="0"  src="https://freight.cargo.site/w/1000/i/658106fe90b1586ee84553bba12c5ef29d21a045836c5fe285818717c351844d/dsr-35.jpg" /&#62;
&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/e15c6444c62b0b03d4a1bb717febcba160c125b2a36ca3b8d2e51b0d87bf64fe/dsr-28.jpg" data-mid="239538786" border="0"  src="https://freight.cargo.site/w/1000/i/e15c6444c62b0b03d4a1bb717febcba160c125b2a36ca3b8d2e51b0d87bf64fe/dsr-28.jpg" /&#62;


	the arches in the top and the bottom are steambent

	&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/68280572e06ad1c2eeb86efac06a808262e5823e64f962ffcd9925f5e053c3e4/dsr-38.jpg" data-mid="239538562" border="0"  src="https://freight.cargo.site/w/1000/i/68280572e06ad1c2eeb86efac06a808262e5823e64f962ffcd9925f5e053c3e4/dsr-38.jpg" /&#62;


&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/a955efdb5951a269c679cb56950af738ae35b882a7ba4ca3ed27c987a6d7e3cb/dsr-31.jpg" data-mid="239538555" border="0"  src="https://freight.cargo.site/w/1000/i/a955efdb5951a269c679cb56950af738ae35b882a7ba4ca3ed27c987a6d7e3cb/dsr-31.jpg" /&#62;


&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/b7601b902b548aff37e71a71096fe87b4d92be8f1fd9edc87016997b9d246709/dsr-36.jpg" data-mid="239538560" border="0"  src="https://freight.cargo.site/w/1000/i/b7601b902b548aff37e71a71096fe87b4d92be8f1fd9edc87016997b9d246709/dsr-36.jpg" /&#62;photography by dag sandven


&#60;img width="6257" height="6995" width_o="6257" height_o="6995" data-src="https://freight.cargo.site/t/original/i/2b6099f5c19ab2686ac8d394cf6da57182a81f51ac68b4c350aea131dbccd9e7/0001.jpeg" data-mid="173021729" border="0"  src="https://freight.cargo.site/w/1000/i/2b6099f5c19ab2686ac8d394cf6da57182a81f51ac68b4c350aea131dbccd9e7/0001.jpeg" /&#62;




producer: philipp von hase materials: oak and stainless stealyear: 2023 -2025series: one of its kind</description>
		
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